I have been searching for a decent ukulele pickup for ages and have tried most of the transducers that are available but, until now, I couldn’t find one that gave a natural sound i.e. it sounded like my uke – but louder!

I came across JJB Electronics as a result of a recommendation from a guitarist friend of mine who swore that JJB transducers sounded better than any other pickup he had tried.  Given that JJB charge less than £13.00 I ordered one direct from JJB and a few days later it turned up in the post all the way from the USA to me here in the UK.

I bought the EXT-100 model which allows for temporary installation on your uke and has the advantage that you can quickly swap it between instruments.  Being able to move the pickup around on the top of the soundboard also facilitates experimenting with placement.  It is surprising how much tonal variation there is between one spot and another on the soundboard.

I have to say right here and now that this pickup is extraordinary – a real revelation.  It accurately amplifies my uke’s acoustic sound and doesn’t add anything of it’s own.  I ran it straight into my Roland Micro Cube on the ‘acoustic’ setting – the lowest gain setting on the amp and this passive pickup drove the amp perfectly.

I have a uke with a sonicore system with on board pre-amp and I can honestly say the JJB sounded infinitely better.   I tried the pickup on my Martin guitar that has a big brand under-saddle pickup – again the JJB simply blew it away in terms of clarity, producing a marvellously uncoloured sound.

Since buying the pickup I’ve done a bit of internet research about JJB pickups and the reviews are unfailingly complimentary as are the comments about customer service and after-sales backup.  I’d like to add my own thanks to Jessie for producing such a great sounding pickup at such a reasonable price point.  I honestly think this pickup is the best out there at any price point. 


Quick review of Zoe’s EP

Posted: May 22, 2012 in Reviews

It’s difficult to know where to start with Zoe.   I first noticed her on YouTube and was knocked out by her absolutely nerve free performances, not to mention her sublimely ‘current’ voice.  A few weeks on and I have her recently released debut EP in my CD player.

I compared her to a young Adele in my initial post but upon reflection I withdraw that comment.  The ‘heart on the sleeves’  lyrics and super confident live performances may have much in common with Adele’s early gigs, but Adele was 18 when I first saw her perform.  Four years extra maturity is a big advantage  in that it brings a lot more life experience to your song writing, (not to mention the training and grooming at the Brit School).  Adele had to compete with and compare herself to the cream of wannabees in her peer group (including Amy Winehouse, Leona Lewis, the Kooks etc. etc.).  It would be nice to think that Wigtown provides similar challenges for Zoe, but I think that somewhat unlikely and that local ‘folk’ performers and YouTube have been a more likely source of reference.

So, what do we get from 14 year old Zoe on her first professional recording?  In my view, a refreshingly uncomplicated, sometimes wry, sometimes witty bunch of songs beautifully performed and presented.  Hats off to Zoe for valuing her perfect pitch and youthful tone over the seemingly endless runs and inability to sing a straight note of many of her contemporaries.  Zoe has a beautifully direct voice and if comparisons are in order she would be better compared with the likes of an Unthank or Rusby than most of the current crop of pop princesses.

Zoe is a lucky girl to have found a producer/engineer with the skills and sensitivity of Huey Dowling.  He has done a wonderful job of keeping things simple and his respect for Zoe’s talent is evident in his light handed approach.

Zoe is clearly one to watch and I look forward to hearing much more from her in the future.

Work and family stuff have conspired to keep me from posting for the past few days but I’ll be back tomorrow with my usual meanderings, including a review of Zoe Bestell’s terrific debut EP.

Watch this space ……..

I bought a 2nd user Hamano 100T, tenor uke, for £165 (including nice tweed hard case) today.  The few that are left still retail for around £350 in the UK, so,  although it was a lot of money, I still feel that I got a bargain.

I don’t know how the guy parted with it – it is simply superb.

I already have a Mainland Mahogany Concert which I cannot fault – apart from the fact that she’s probably just a little too pretty to take out to sessions.  The Hamano is like the plain girl with glasses – you don’t worry about someone trying to ‘pick her up’,  but when the glasses come off, i.e. when you play her, you find out just how sweet she really is….

This really is a terrific  ‘player’s’ ukulele.  It’s a real plain Jane, apparently a close copy of a 20s Martin, but all I can say is that I’ve had a few high end Martin guitars over the years, but the only Martin I’ve never parted with is the old slot head, 12 fret ‘hog’ 000-15s that still hangs next to my chair.  I’ve got a feeling that my relationship with the Hamano is going to be the same.

P.S.  The Islander MT-4, just a couple of weeks old, will have to go, as my other half has a strict ‘one in- one out’ policy. In my opinion it’s about as good as you can get for under £100 – any offers?

My daily trawl of all things uke related on the web led me to this heart-warming little short….

Jonas from UkuTabs http://ukutabs.com/ tells me that he now has over 300 tabs on his wonderful site, all of which he has personally checked for accuracy/key etc.  Remember, the more tabs everyone submits, the better the resource becomes for all of us.  Great work Jonas!

We all know that the Loveable Rogues got fast tracked to the televised finals of BGT but it was great to see yet another young act featuring the ‘bonsai guitar’.  They have real talent and mega ‘user friendliness’.  Their exposure has gone stratospheric but it remains to be seen if their appearances on BGT has undermined their ‘street cred’ or become a stepping stone to stardom – watch this space.